Virtually Together: Do You Hear What I Hear? A Singing Collective Unites

RESEARCH TEAM

Primary Co-Facilitation Team: Cynthia Friesen, BCBWP Course Facilitator  Tara Gaertner, PhD, Faculty of Medicine, Psychiatry • Peter Gouzouasis, PhD, Dept of Curriculum and Pedagogy, Faculty of Education  Silke Cresswell, PhD, Director of BCBWP, Faculty of Medicine, Neurology

Advisors: Prof. Emeritus Debra Sheet, PhD, UVic Faculty of Nursing  Julia Ulehla, MA,  School of Music, Ethnomusicology and Interdisciplinary Studies

Undergraduate Research Assistants: Gael Hernadez-Palmer, Neuroscience  Manat Siddhu, Psychology

Principle Investigator: Prof. Rena Sharon, MMus, School of Music, Collaborative Piano

BACKGROUND

While previous research has shown that group singing has clear benefits for mental and physical wellbeing, there is less data showing how well these benefits transfer to a virtual singing group. Because high-latency audio lag has been common to virtual platforms, online group singing groups often have participants muted, so that only the facilitator can be heard. Emergent technology now offers the possibility of low-latency synchronous audio that allows participants to hear each other sing collectively in real-time.

Building from SingWell’s pilot study by Dr. Arla Good and Dr. Alex Pachete at Toronto Metropolitan University, this study assessed 
how hearing each other sing together modulates the benefits participants experience from group singing. 

 

METHODS

This project built on SingWell’s Virtual Group-Singing research network through a 12-week study of a multi-modal, multi-strand virtual group-singing course designed for individuals living with Parkinson’s and other neurological conditions, and also welcoming care partners of any age, and general community participants through the BC Brain Wellness Program’s “Healthy aging” activities at UBC’s Djavad Mowafaghian Centre for Brain Health.

We compared the physiological and emotional effects of muted participation in a high-l
atency audio virtual singing group to one in which a low latency (minimal lag) platform allowed all participants to be synchronously audible to each other in real-time.

We measured changes in mood, pain, and social connection via questionnaires administered 
before and after each session. Salivary samples were collected before and after selected sessions to assess changes in cortisol, and baseline heart rate variability was calculated from heart rate recordings made at the beginning, middle, and end of the study. In addition, focus groups and individual interviews after the singing course revealed qualitative data about participant’s experiences in the singing group.

RESULTS

Our data indicate that there are benefits within both audio modalities, and assets and challenges specific to each. Results show that online group singing in either format leads to improvements in mood, decreased pain, decreased salivary cortisol, and increased feelings of connection with the group and the world as a whole.

In comparing the two modalities we 
find a trend towards additional benefits for synchronous singing only for mood and social connectedness, suggesting that benefits for pain and physiological measures of stress may be driven by the physical effects of singing, (i.e. controlled breathing), rather than the social aspects of group singing.

These early results support the viabilities and efficacies of both virtual group singing audio 
options as a meaningful alternative to in-person activities for those with access challenges, and suggest that synchronized low-latency audio platforms might offer additional benefits in mood and social bonding.

KNOWLEDGE DISSEMINATION

Conferences:

  • Preliminary results were presented at the Music and Health Research Institute conference in May 2024, as well as at UBC Dept. of Psychiatry’s Research Day (garnering an award for “Best Lightning Talk”). The study’s singing collective class facilitator, Cynthia Friesen, shared her experiences and insights at the Canadian Association on Gerontology (CAG) Conference in October 2024.
Publications:
  • The study is currently engaged in completing statistical processing and assessments in preparation for publications.

Education:

  • Inspiring participant wishes for ongoing virtual singing opportunities have generated Ms. Friesen’s new BCBWP class in Fall 2024, entitled “Virtually Together in Song”
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